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AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 33: In this tutorial, Andrew Devis starts to look at text creation and animation in After Effects starting with the different ways to create text in the composition panel.
Our guests on this Creative Cow podcast are the talented husband and wife filmmaking team from Canada, producer Suzanne Chisholm and writer/editor Michael Parfit, creators of the new documentary motion picture, "The Whale."
In this third installment of the Particular Basic Training series, Michael Park will show how to use Particular to create a realistic 3d star field for all of your animation needs.
In this tutorial, you will see a simple method for creating a star that is more than just a lens flare. Graham goes on to show you some basic Xpresso methods to make animating easier.
In part one of the two part look at Text, Kevin P McAuliffe gives you an overview of all the great things that you can do with Text inside of Apple's Motion.
In this tutorial, I'll show you the INs and OUTs of the Roles feature. How they work when exporting projects as well as tricks on their use in editing and during import.
In this tutorial, Kevin P McAuliffe takes a look at doing the same viewer requested track matting technique he showed in Motion 5, but the time he demonstrates the technique inside of Adobe After Effects.
This tutorial shows how to do a simple slow-down and speed up using Twixtor in Avid Media Composer.
One of the features of FCP X that goes largely unmentioned (and is mostly undocumented) is the ability to edit during playback. In this tutorial I'll teach you the fundamentals of editing without stopping playback.
In part 2, Rob Mize presents the After Effects work flow he uses to bring to life the character created in part 1. By keyframing shape paths, Rob demonstrates how we can not only animate the character's features, but her speech as well.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 21: In the fifth tutorial looking at Shape Layers in After Effects, Andrew Devis looks at the Offset Paths function.
In part two of this tutorial, Andy Neil continues to explain secondary storylines, connected clips, and compound clips and how they are best used in your project. Along with it are some tricks to keep organized and move quickly when you're editing.
In this video tutorial with Steve Lidrbauch, you will learn how to build fire using just the built-in tools inside of After Effects, using CC Particle World, Turbulent Displace, Colorama, luma & alpha channels, and more.
The "Scribble" and the "Stroke" effects are often overlooked due to the fact that it isn't immediately obvious how they work as they won't work unless applied in a very particular way.
In Part 2 of creating the atom, Rob Mize shows how to use expressions and a null to consolidate and unify control of the separate particle layers' cameras. Rob uses the layer's stretch to adjust the speed of the electrons orbiting the nucleus.
In this two part tutorial, Andy Neil will show you when it's best to use a storyline, connected clip, or a compound clip in your project. He goes in depth with some tricks to get moving quickly in FCPX.
In this tutorial, Kevin P McAuliffe answers a viewer's question about masking in Apple's Motion, and shows that sometimes the best way to mask something, is not to mask it at all!
In this fourth tutorial in the Particular Basic training series, Michael Park answers a user's forum question on how to accumulate particles on 2d footage using Particular.
In this Boris TV episode, Kevin P. McAuliffe uses BCC 8 AE's new Stage Light filter to improve upon the original clip by making it appear as though beams of light are emanating from the car's headlights.
A detailed explanation and demonstration of the uses of the loop expression in After Effects.
With Apple's new OS, there are many "hidden" features that aren't apparent at first glance. This first Lion quick tip is perfect anyone looking to take video file, and quickly stream it for an iPod, iPhone, iPad, or even for FCPX.
How to Create Stereoscopic animations in After Effects using the Rampant Stereo Suite from the Creative COW Master Tools.
This Tutorial explains when it is appropriate to use VideoFX and when to use MediaFX for Twixtor and how to deal with different re-timing scenarios such as Speeding up, slowing down and fit-to-fill.
In this tutorial, Andy Neil shows off the new trim tool from FCPX, and explains the differences from how trimming is accomplished in FCP 7.
"Lite Bites" are short no-frills tutorials giving quick answers for busy people. In this next AE Lite Bite tutorial, Andrew Devis shows how to quickly and easily animate text on a path.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 25: In the ninth tutorial looking at Shape Layers in After Effects, Andrew Devis surveys the Trim Paths operand.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 20: In the fourth tutorial looking at Shape Layers in After Effects, Andrew Devis starts to look at the operands or FX that can be applied to shape layers in After Effects.
Creative COW Magazine Special Edition, 'Free Your Mind: How Mac Users are Using the HPZ800 For Power and Profit.'
This video tutorial presented by Jon Barrie details some of the uncommon knowledge about the Titler Tools and how to simulate a feathered mask using a Track Matter technique using Adobe Premiere Pro CS 5.5.1.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 15: In this third and final tutorial on motion paths, Andrew Devis demonstrates how to use masks and paths created in other applications or in other ways in After Effects.
Rob Mize demonstrates how to use shapes to change low resolution raster art into sharp, clean, high quality vector images. This is a quick and easy technique to improve the appearance and versatility of your logos and other graphic images.
Rob Mize offers his Top 10 Countdown of the features that make AE shapes such a versatile compositing tool. Rob highlights the functionality of these features and demonstrates just how practical shapes can be in your production efforts.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 19: In the third tutorial looking at Shape Layers in After Effects, Andrew Devis shows how to use both the Text tool and the Pen tool to create shapes in After Effects.
GPU Acceleration is the most important enhancement in Sony Vegas Pro 11 for most users.
In this Boris video tutorial, Kevin P. McAuliffe creates an end tag with Boris Continuum Complete 8 AE's new Stage Light effect. BCC Stage Light lets you create volumetric lighting from any light that you add to your After Effects composition.
In the next Chapter of our ongoing "On the Fast Track with Apple's Motion 5" tutorial series, we are going to look at what goes into creating a 3D extruded animation in Motion 5 using only built in tools to create it.
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in Avid Media Composer.
Exploring CC Particle World and CC Vector blur and setting up the initial simulation of liquid particles within After Effects.
Exploring CC Particle World and CC Vector blur and setting up the initial simulation of liquid particles within After Effects.
The "Tilt Shift Effect" or "Toy Town Look" is fantastic fun to play with. Using Final Cut and Motion you can quickly create the effect and give an amazing intro to any promotion. The tutorial requires no additional Plug-ins.
Rob Mize demonstrates techniques for creating a virtual set in 3D space. He shows how you can build sophisticated, detailed environments, where your actors appear to interact with their 3 dimensional surroundings.
In the next part at our introductory look at Apple's Motion 5, we take a look at a great "not so hidden" feature in Motion 5, and that's the Heads Up Display (HUD).
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 28: In the twelfth tutorial looking at Shape Layers in After Effects, Andrew Devis explains the Zig Zag operand.
In this first of 3 tutorials on Rotoscoping with Mocha for AE, Andrew Devis introduces the tools needed to work quickly and efficiently in Mocha to create shapes and output those shapes to AE.
In this tutorial, Roy van der Westen will demonstrate how to make a multiple split screen in Sony Vegas, and saving the presets in the "Trackmotion tool.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 32
AE Basics: A Creative COW series for new users of Adobe After Effects. Lesson 18: In the second tutorial looking at Shape Layers in After Effects, Andrew Devis starts to look a little more in depth at some of the fill and stroke options for shapes layers.
In this tutorial, Creative COW leader Michael Hurwicz devotes a couple of minutes to each of these, giving you a quick overview of text options - old and new - in Vegas 11.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 17: In this first tutorial on Shape Layers in After Effects, Andrew Devis starts by showing the difference between masks created on a layer and shape layers.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 22: In the sixth tutorial looking at Shape Layers in After Effects, Andrew Devis guides new users through the Pucker & Bloat operand.
In this third and final tutorial on Rotoscoping with Mocha for AE, Andrew Devis shows how to draw the final shapes needed to rotoscope the person and also how to add a feather to specific points in the matte created.
This is part two of a two-part tutorial on the new multicam feature added to the 10.0.3 update for Final Cut Pro X. In this part, Andy Neil shows off the custom sync controls, syncing using meta-data and how FCPX handles non-pro sources.
In this second Particular basic training tutorial, Michael Park will demonstrate how to recreate a portion of the wormhole sequence from the movie "Stargate" using Trapcode Particular and Adobe After Effects.
Need to make a quick edit while on the road or export a project from a remote location? Using an iPad, Skype, SoundFlower, LogMeIn.com, and your primary Final Cut station you can edit from anywhere you have network connection.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 16: In this tutorial, Andrew Devis introduces parenting in After Effects and shows how complex animations can be created with very few keyframes by using parenting.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 23: In the seventh tutorial looking at Shape Layers in After Effects, Andrew Devis takes us through the powerful "Repeater" operand.
"Lite Bites" are short no-frills tutorials giving quick answers for busy people. In this next AE Lite Bite tutorial, Andrew Devis shows how to use 8 or 16 bpc effects safely on 16 or 32 bpc projects.
Motion graphics designers have traditionally been at the mercy of video editors when it comes to making sure video levels in a shot are broadcast safe. Boris Continuum Complete 8 AE's new Videoscope tool changes the game.
This tutorial shows how shows what to do if your footage is interlaced and your timeline is progressive and vice versa in Avid Media Composer.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 24: In the eighth tutorial looking at Shape Layers in After Effects, Andrew Devis investigates the Round Corners operand and how to add an additional Stroke to your shape.
In this tutorial, Creative COW leader Michael Hurwicz demonstrates the major advantage of OFX Plug-Ins, namely, the ability to manipulate a separate curve for each parameter in the plug-in.
In this lesson, Kevin P McAuliffe goes through all the techniques taught so far to show you how to create a basic lower third.
In our next lesson, Kevin P McAuliffe shows you how to create not only 3D extruded text using the replicator, but also gives you a sneak peak at how to extrude and animate logos to add to your productions.
Rob Mize demonstrates the process of designing, creating and animating a character entirely in After Effects. Part 1 focuses on the design and creation of the character using nothing more than AE shapes.
This Tutorial explains when it is appropriate to use Smart Blend and shows regular Twixtor with Inverse and with Forward Warping and compares a panning shot slowed down 10x with and without Smart Blend.
In this tutorial, Kevin P McAuliffe shows you how, with the newest update to FCPX, to edit multicam inside of FCPX. See how to set up your clips into angles, and then quickly and easily edit them together to create a seamless edit in no time flat.
In this In and Out tutorial, Andy Neil shows off FCPX's Replace Edit feature: one that's quite a bit different from previous versions.
In our wrap up of Chapter 1, we learn that "Exporting" is a way of the past in Motion 5. Now, it's all about Sharing. Users of FCP7 will be familiar with Sharing, a great way to not only export your work, but do it in the background, so you can
Finally it's here! FCP X has included a multi-camera workflow in its 10.0.3 update. Andy Neil will take you through the INs and OUTs of this amazing new feature in a two-part tutorial (there's THAT much to show).
With digital download becoming the norm for getting applications from Apple, downloading OS X Lion onto three machines that you own, and want to install it on, doesn't make sense, especially at 3.5 GB per download.
I know iMovie is not the sharpest tool in the box but sometimes we need to use a quick way of making a little promo on a budget. With Apple computer shipping with iMovie 11, it's becoming used more and more.
In Part 2 of my interview with producer Suzanne Chisholm and writer/editor Michael Parfit, creators of the new documentary motion picture, "The Whale," we discuss the many technical challenges Michael and Suzanne faced.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 34: In this tutorial, Andrew Devis shows how to quickly select and change your font selection and modify its look and feel with the Faux options in the character panel.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 30: In this tutorial, Andrew Devis demonstrates the "Write-on" Effect in After Effects.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 27: In the eleventh tutorial looking at Shape Layers in After Effects, Andrew Devis demonstrates the Wiggle Transform operand.
In this tutorial, Martin Ainsworth will demonstrate the "Tilt Shift" effect also known as "Toy Town Look" using Abobe After Effect. This simple yet very power technique can add an extra dimension to an opening introduction.
In the next lesson in our introductory look at Apple's Motion 5, Kevin P McAuliffe goes through how to keyframe, and then shows you how Behaviors will make your animating life a lot easier.
In this quick tip, Kevin P McAuliffe shows you a great quick tip to locate recently used files on your hard drive. This quick tip also works for all you Snow Leopard users out there as well.
"Lite Bites" are short no-frills tutorials giving quick answers for busy people.
In Part 3 of my interview with producer Suzanne Chisholm and writer/editor Michael Parfit, creators of the new documentary motion picture, "The Whale," we discuss the filmmaker's stylistic approach to the material.
In this final part of the "Simulating Liquids with AE Particles" tutorial, I demonstrate the Time Remapping function within After Effects to help further slow down the animation. This will allow for further cosmetic touches.
This Tutorial shows how to get better results using Tracking Points for more complex shots and to help get rid of warping or ghosting.
In the first part of this two part tutorial, Andrew Devis goes through the basic things that you will need to have in mind when creating a run (or walk) cycle for a character you may be animating in After Effects.
Using masks to speed up web design can help you show multiple graphic ideas with the least amount of effort for best effect. In this tutorial, Martin Ainsworth willl show you how to add a mask to a folder and add content to it.
In this edition of Creating the AE Cosmos, Rob Mize turns his attentions to the quantum universe. Rob demonstrates how to create a dynamic 3D model of an atom using only nulls, expressions and CC Particle World.
In this tutorial, Michael Park will teach some basic skills for using Trapcode Particular by creating jets of water using particles to enhance a still image of a fountain.
FCP X can't create a custom resolution timeline... or can it? I'll show you how to create custom resolution timelines quickly in Final Cut Pro X.
Within the last year, ARRI, Panavision and Aaton have all ceased production of their film cameras to focus exclusively on the design and manufacture of digital cameras. Somewhere in the world, right now, someone is holding the last movie film camera ever
In this second of three tutorials on Rotoscoping with Mocha for AE, Andrew Devis looks at tracking elements on different planes and then adjusting those tracks with a couple of different methods.
Introducing two essential workflow keyboard shortcuts enabling the After Effect's user to quickly replace layer items or elements with another whilst also retaining and inheriting all of its keyframes, effects and transform data.
Kevin P. McAuliffe uses BCC 8 AE's new Stage Light filter to create a 3D volumetric lighting effect with a watermark similar to what you might see on "American Idol" or "The X Factor".
This Tutorial shows how to get better tracking using a matte to separate your footage into multiple layers. Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 31: In this tutorial, Andrew Devis demonstrates the "Brainstorm" function with shape layers.
In this lesson, Kevin P McAuliffe looks at the Layout tab in the text tool, and shows you why this tab will be an integral part of your text workflow from creating text on a path to scrolling and crawling text.
AE Basics - A Creative COW series for new users of Adobe After Effects. Lesson 26: In the tenth tutorial looking specifically at Shape Layers in After Effects, Andrew Devis demonstrates the Twist & Wiggle Paths operands.
In this tutorial, Designer Sean Mullen shows us how to create the well-known RGB split effect in After Effects without the use of any third party plugins.
In the second part of this two part tutorial on creating a basic run cycle (or walk cycle) in After Effects, Andrew Devis continues where he left off in the first tutorial.
In this "Lite Bite" tutorial, quickly setup custom actions to speed up your photography workflow in Adobe Photoshop to rotate and add adjustment layers for 'Cross Processing' and 'Black & White.' This is a valuable time-saving tutorial.
Lesson 29: In this thirteenth tutorial looking at Shape Layers in After Effects, Andrew Devis looks at the problem of creating and animating a true spiral in After Effects and how it can be done by using paths copied from Illustrator.
This tutorial was made as a direct request from a former user of Final Cut Pro who wanted to know how to mask in an efficient way in After Effects.
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